Best of Photojournalism 2008: Video News Photography: Entry Rules
TV News Photography Rules & Categories
Special Award: Judges’ Choice
The judges of this year’s competition will have the option of giving a “Judges’ Choice Award” to the story they feel best exemplifies the ideals of television photojournalism. The winner will be chosen from among the full set of entries in all categories.
TV News Reporting
The NPPA Photojournalism Award for Reporting is to honor those reporters and field producers who, in collaboration with a television photojournalist, produce outstanding visual stories. Entrants must submit a compilation of 3 packages they have written from the individual categories listed below. This is not only a writing category: the judges will be looking at the overall visual storytelling and how the reporter/field producer contributed to the quality.
The compilation tape may not exceed 20 minutes and can include live shots. There is no penalty if a story is shot by more than one photographer. Include a list with the story titles.
The judges may award a First, Second, and Third place at their discretion.
TV News Photography
Photography participants may have no more than two entries in each of the following individual categories: Spot News, Deadline Photography, General News, News Feature, 48 Hour Feature, Sports, Sports Feature, In-Depth/Series, Team, Documentary, and Solo Video Journalism.
In all individual Photography entries, 90% of the video must have been shot by the entering photojournalist.
The judges may award a First, Second, and Third place at their discretion.
| Category | Description | Max. length |
|---|---|---|
| Spot News | An unscheduled and unfolding news event for which there was no opportunity for planning. This category recognizes the photographer's ability to function in a stressful situation, keeping his or her photographic gear rolling to capture the overall scope of the scene, and zeroing in on individual reactions. Story must have been shot, edited, and broadcast within 24 hours. If a version was edited for another broadcast within the 24 hours, it must contain new elements not used in the original story. 90% of the video must have been shot by the entering photojournalist. |
5 minutes |
| Deadline Photography |
Everyone should really look at this category. The time limit has been reduced to 4 hours. It is designed to recognize the work that most of us do on a day to day basis. A quick turn. Whether it's a package, or a live shot, or any combination, this category is designed with the general photographer in mind. A Spot News or General News story that may include a live air check presentation by a reporter or photojournalist. The goal of this category is to highlight television photojournalism under deadline pressure. The entry must be shot, edited and broadcast within 4 hours. The entry may be a stand alone package, a straight live shot, or a live shot with video tape. If the entry includes a live shot, the air check presentation must be submitted with no re-editing allowed. For this category only, mention of the photojournalist is permitted. 90% of the video & live shot must have been shot by the entering photojournalist. |
5 minutes |
| General News | A story that covers a planned or unplanned news event or a subject of general interest and importance. It can be a follow up or side bar to spot news. The event should be timely. General news stories should contain no music, except where it's part of the natural sound of the story. Stories must have been shot, edited, and broadcast within 24 hours. 90% of the video must have been shot by the entering photojournalist. If the story is deemed by the judges to be too much of a feature, it may be disqualified. |
5 minutes |
| News Feature | A planned story where the photojournalist puts considerable time and effort into the production of the story. Features that score highly show imagination and creativity. 90% of the video must have been shot by the entering photojournalist. |
10 minutes |
| 48 Hour Feature | A feature or human interest story shot and edited within a time frame of 48 consecutive hours. 90% of the video must have been shot by the entering photojournalist. |
5 minutes |
| Sports | Any story about a sport or sporting event, that focuses on the outcome of the game or competition. The entry must have been broadcast within 24 hours after the end of the event. 90% of video must have been shot by the entering photojournalist. |
5 minutes |
| Sports Feature | Any feature story about participants, spectators, or those involved or interested in a sport or sporting event. Does not need to focus on the outcome of the game. 90% of video must have been shot by the entering photojournalist. |
10 minutes |
| In-Depth | A planned story where the photojournalist puts considerable time and effort into the production of the story. It may be divided into a series and aired on successive days. If so, edit the individual parts together leaving a second of black leader after each piece. 90% of video must have been shot by the entering photojournalist. |
30 minutes |
| Team Entry | Any story that was shot by more than one photojournalist. The story may fall into any of the other subject categories except Documentary. Documentary stories must be entered as such, regardless of the number of photographers involved. |
15 minutes |
| Documentary | A complete, creative study of a subject or issue in which the theme and treatment follow a predetermined direction. Can be shot by more than one person. 75% of the footage must have been shot during the contest year. |
60 minutes |
| Solo Video Journalism | This award is to recognize those who do it all themselves, do it daily, and do it well. It will recognize the best single story produced by a primarily full time solo video journalist (one man band). This is not a category for those who may shoot alone once or twice a week. You must be a solo video journalist during your entire work week schedule. The story must be shot, written, and edited within 48 hours by the entrant. |
5 minutes |
| Ernie Crisp Television News Photographer of the Year | The person recognized as the Ernie Crisp Television News Photographer of the Year must show a high level of skill and professionalism. The award serves as recognition of individual ability - an ability against which others can compare their output to determine if they are meeting the standards of the industry. To enter this competition, submit a compilation of stories typical of your work. The chairperson will not assemble entries from other categories for this award.
|
30 minutes |
| Television News Photography Stations of the Year | The Station of the Year Award will be presented to three (3) different television stations in three (3) separate divisions based on Nielsen market sizes:
You can find out the size of the market you work in at <http://www.nielsenmedia.com/DMAs.html> This award recognizes a local broadcast station's photography staff for their consistency in providing outstanding news photography coverage for and about the audience it serves. The award singles out an individual staff as one that has achieved a high standard of quality in photography and that is unmatched by any other station in their division. Selection as a TV Photography Station of the Year honors excellence, and most importantly, it serves to raise the standards of the industry.
|
30 minutes |
Web Video Photography Rules and Categories
- The Web Video Photojournalism contest will judge entries from their live URL, which the entrant must provide on the entry form. If the URL isn’t given, or the link is not functioning properly at the time of judging, the entry will be disqualified.
- These categories are for video-based stories that are written and produced for the web. These stories must have been posted on a website before any other use in the broadcast arena.
- You must mail an entry form to the contest chair, as well as filling out the online form.
- Only two stories are allowed per category.
Submitting your Entries
The online Clip Entry Form (available once the contest opens) must be submitted for each entry. The confirmation page/label sheet must be printed and signed, and mailed to the contest chair.
TV News Photography entrants should attach the labels firmly to the outside of each entry's container and to the cassette or DVD itself; if not, the entries will be disqualified.
Web entrants should not submit a tape or DVD of their entry, but they must fill out the online entry form, print the 'label' sheet, and mail it to the contest chair—just as they would do for a physical entry.
Individuals and/or stations submitting more than one entry may ship all their entries in one box, provided each entry is separate within the shipment.
Mail TV and Web Photography Entries to:
Merry MurrayKSNW-TV
833 N Main
Wichita, KS 67203
(620) 786-0319
kyphotog@aol.com
Copyright 2002-2008 NPPA.org
For more information, email the Contest Coordinator.