BOP 2006: Still Photography Rules: Preparing your Images

Best of Photojournalism 2006 is open to professional photographers, editors and online photojournalists, and there is no entry fee. All entries must have been taken or initially published between January 1st and December 31st, 2005. Photographers do not need to be members of NPPA to enter.

Changes in the 2006 Contest

Photojournalism is changing. Portable digital cameras are giving more people the basic tools to cover news events that affect their lives. Large media companies are integrating and showcasing photographic reporting in new ways. As a result, visual journalism is becoming more "visible" in popular culture.

The Best of Photojournalism seeks to recognize the best work coming from this changing landscape, and set new standards for the future. We celebrate the craft of photographic reporting, not just the artistic and technical qualities of photography. Newsrooms need journalists—visual reporters who are rooted in accuracy, and can harness their aesthetic skills in their work.

Category changes

 

Other Entry Changes

Post-Entry Changes

Number of Entries Allowed Per Photographer

Digital Image Specifications

Scanning Specifications For Negative or Transparency Film

Best of Photojournalism 2006's Still Photography division only accepts digital files. If the images you wish to submit only exist on film, you will need to scan them and submit the digital files. Please format each file according to the Digital Image Specifications.

Important Tip

We strongly recommend that you do all your scanning and adjustments first, then save the images on your hard drive using temporary file names. Entering the caption and entry info for your images will be much easier to do as a group, one right after another. Though it may look intimidating at first glance, entering all the info will only take a couple of minutes for each picture.

Picture Category Codes and Descriptions

Images in the Best of Photojournalism are divided into categories based on their subject matter, and on whether they are part of an extended story or not. The set of images in each category are then judged against each other.

As noted under Number of Entries Allowed Per Photographer, a given photograph may not be entered on its own in more than one category. However, a photo may be entered in both a single-image category and a picture story (up to a limit of four single images per story). Pictures entered in the wrong category will not be reclassified, and the judges reserve the right to disqualify them. Because of this, take care when choosing the category for your images.

CodeCategory NameDescription Maximum Image Count per entry
NAACliff Edom's ‘New America Award’

In urban communities and rural towns, the spirit of diversity is celebrated and witnessed in everyday life. Our goal is to recognize award winning photographic storytelling about communities, groups, and issues in America that are often under-covered in the press. Acknowledging the genius and effectiveness of Cliff Edom's vision, approach, and passion for teaching, we ask you to contribute your entries.

Cliff Edom (1907-1991) began his experimentation in photographic education in 1943, his purpose was to provide access to the community life of a small town (and local communities) for photographers so that they could hone and develop photojournalistic skills.

A portfolio of up to 24 images
OPYPhotojournalist of the Year (large markets)

A portfolio of work created for a publication with over 115,000 circulation. All Wire services, Agencies and Magazines are part of this group.

See the Portfolio Rules for further details.

A portfolio of up to 40 images
UPYPhotojournalist of the Year (smaller markets)

A portfolio of work created for a newspaper with less than 115,000 circulation. Portfolios of work created for Wire services, Agencies and Magazines should be entered in the large-market Photojournalist of the Year category, OPY.

See the Portfolio Rules for further details.

A portfolio of up to 40 images
SPYSports Photojournalist of the Year

A portfolio of individual sports images, plus an optional Sports Picture Story.

See the Portfolio Rules for further details.

A portfolio of up to 24 images
DSRNatural Disaster Single 2005

A single image that captures and communicates the devastation wrought by a natural disaster.

Natural Disaster Single recognizes coverage of the human and physical impact of this year's hurricanes, mudslides, tornadoes, earthquakes, and so on.

Single picture
DPSNatural Disaster Picture Story 2005

A collection for authentic storytelling photographs that captures and communicates the devastation wrought by a natural disaster.

Natural Disaster Picture Story recognizes coverage of the human and physical impact of this year's hurricanes, mudslides, tornadoes, earthquakes, and so on.

A picture story with up to 12 images
INNInternational News

A picture of a spontaneous news event outside the U.S., Canada, or Mexico that was created without advance cooperation, planning, or warning.

Single picture
INSInternational News Picture Story

A series of pictures of events outside the U.S., Canada, or Mexico that depicts a story line or single theme that is spontaneous in its origin. This story may be spot news or issue reporting.

A picture story with up to 12 images
GNNGeneral News

Recognizing that much of the daily news coverage is planned in advance, we seek to reward outstanding achievement based on creativity and timing at organized events such as general meetings, promotional events and staged coverage opportunities.

Single picture
DONDomestic News

A breaking news photograph from the U.S., Canada, or Mexico. An event where the photographer does not have the time to plan, but must react on instinct, adrenaline, and news judgment.

Single picture
DNSDomestic News Picture Story

A series of news pictures recording events in the U.S., Canada or Mexico that depicts a reporting line or single theme where the reporting instincts and skill of the photographer are manifest. This story may be spot news or issue reporting.

A picture story with up to 12 images
ENTEnterprise

A picture of a ‘found situation’ that features strong human interest element, or a fresh view of an everyday scene. A picture that uses humor or focuses on the lighter side of life is well suited for this category.

Single picture
OESEnterprise Picture Story (large markets)

A non-news picture story or essay on a single theme. Stories that use humor or focus on the lighter side of life are well suited to this category.

A series of pictures created for a publication with over 115,000 circulation. All stories created for Wire services, Agencies and Magazines should be entered in this group.

A picture story with up to 12 images
UESEnterprise Picture Story (smaller markets)

A non-news picture story or essay on a single theme. Stories that use humor or focus on the lighter side of life are well suited to this category.

A series of pictures created for a newspaper with less than 115,000 circulation. Pictures created for Wire services, Agencies and Magazines should be entered in the large market Enterprise Picture Story category, OES.

A picture story with up to 12 images
LPPLocal Portrait and Personality

A single picture that captures a unique aspect of the local figure’s character and personality. This should not be a public figure, but rather a local heroine, hero, or community member.

Single picture
NPPNews Portrait and Personality

A picture that captures a unique aspect of the character and personality of a public figure or elected official who is regularly featured in media coverage.

Single picture
NAHNatural Habitat

A picture that makes the most of the aesthetic and graphic qualities of nature, with an emphasis on dramatic composition.

Single picture
AOEThe Art of Entertainment

A picture that evokes the phrase “that’s entertainment” — and captures a dramatic quality, theatrical grace, aesthetic expression or poetry of motion that is pleasing and soothing to the viewer.

Single picture
CPIConceptual Photographic Illustration

In this powerful age of computer imagery and digital mastery, the time has come to reward the creative and dramatic works that grace the pages of publications that blend the best of the traditional darkroom, human imagination and computer skills. A photograph might be used as source material for the conceptual illustration, or the concept might be totally artificially produced.

Single picture
EPSEnvironmental Picture Story

A picture story that captures or conveys an appreciation of the natural world and its components; landscapes, flora, fauna, weather, and more.

That appreciation does not mean that the story can only cover pristine environments: stories can also depict the destruction, neglect, or recovery of a natural resource.

A picture story with up to 12 images
SAIIndividual Sports Action

A peak action picture that isolates the competitive spirit and tenacity of a participant engaged in a competition designed as an individual sporting endeavor. Think one-on-one sports such as boxing, tennis, skiing, and so on.

Single picture
SATTeam Sports Action

A peak action picture that captures the competitive spirit and collective efforts of an athletic team. Team Sports Action recognizes pictures of sports where groups of people compete against each other, such as soccer, American football, basketball, baseball, and so on.

Single picture
SPESports Enterprise

A sports related enterprise picture that depicts the jubilation of victory or the agony of defeat. The event covered should be separate from the game action or outside of the field of play.

Single picture
SPSSports Picture Story

Any sports oriented subject portrayed in a multiple-picture photographic story structure. All of the pictures should be related to convey a singular story line or reporting theme related to a sports endeavor.

A picture story with up to 12 images
CNPCelebrity News Single

A picture conveys the popular culture fixations of the day and focuses on a person of celebrity status: glamour, fame, music, sports, television or politics.

Single picture
CPSCelebrity Picture Story

A picture story that goes deeper than surface coverage on the runway or red-carpet pictures. The story must illuminate a facet of celebrity that is compelling, insightful and informative.

A picture story with up to 12 images
OPSBest Published Picture Story (large markets)

This category is designed to celebrate a meritorious body of work that has been documented, vetted and published for an audience in the classic journalistic tradition. The story should be compelling and relevant to the viewing and reading audience.

A story published by a publication with over 115,000 circulation. All stories published by Wire services, Agencies and Magazines should be entered in this group.

A picture story with up to 12 images
UPSBest Published Picture Story (smaller markets)

This category is designed to celebrate a meritorious body of work that has been documented, vetted and published for an audience in the classic journalistic tradition. The story should be compelling and relevant to the viewing and reading audience.

A story published by a newspaper with less than 115,000 circulation. Pictures created for Wire services, Agencies and Magazines should be entered in the large market Best Published Picture Story category, OPS.

A picture story with up to 12 images

Portfolio Rules

(for Cliff Edom's ‘New America Award’, Photojournalist of the Year, and Sports Photojournalist of the Year)

All Portfolios will be judged on their impact as a unit, demonstrating diverse ability, journalistic value and photographic excellence.

Picture Story Rules

Downloading the Photo Mechanic Trial

A special trial version of Photo Mechanic for the Best of Photojournalism entrants is available for both Mac OS X, Mac OS 9, and Windows 2000/XP. The trial version comes with a special key that will allow it to run for the duration of the contest entry period. To prevent this key from being abused, the registration key will be emailed to each entrant in the contest.

Your registration email will also include contest-specific configuration files to assist you in streamlining your image preparation process. Instructions for using those files will be included in the text of that email.

If you have registered, but have lost your key, log in and view your instructions.

Want to keep using Photo Mechanic after the contest entry period ends? Buy a copy at the NPPA discount!

Entering Caption and Picture Info

Important Note: The contest database receives a very large number of entries. Please read and follow the captioning and labeling instructions below very carefully to ensure that your images are entered correctly and eligible for judging. If you have any questions, please contact contests@nppa.org before submitting your images.

Photo Mechanic provides a simple way to enter all the name, category and caption information required for Best of Photojournalism. The information is stored in the IPTC headers, which are viewable through the File Info dialog in Photoshop, but using Photo Mechanic offers several major advantages over manual entry:

To enter information for the Best of Photojournalism caption fields, open your files in Photo Mechanic, mouse over the one you want to edit, and click the IPTC File Info button at the lower left corner of the image thumbnail pane. When the caption dialog appears, fill in the fields as outlined below to begin preparing your entry. Any fields that are not listed below can be left blank, or not, as desired.

File Information Fields Required to Enter the Contest
Field Name in Photo MechanicWhat information to enterAlternate names (if any)
City, State, Country

The location where the picture was created.

  • State/Province
  • Province/State
  • Province-State
Object

Please complete this field according to the Object field instructions. The Object field is used to uniquely identify the picture for indexing purposes.

  • Object Name (Title)
Category

Select the 3-letter code for the category you wish to enter. After you load the preferences file that is sent with your registration confirmation email, Photo Mechanic will display this as a pull-down list of the 28 categories in the contest.

Note: we recommend that this field be entered for all the images in a category at once using the IPTC Stationery Pad feature in Photo Mechanic. See Batch-Assigning Entry Information for more details.

  • Categories
Supp Cat 1

For images in Picture Story categories, include the name of the story; other categories should leave this field blank.

Note: we recommend that this field be entered for all the images in a Picture Story at once using the IPTC Stationery Pad feature in Photo Mechanic. See Batch-Assigning Entry Information for more details.

Supp Cat 2

A sequence number identifying where the image falls within the picture story or portfolio. For single-image categories, each image is a separate entry, so the number is used to distinguish between the entries. If you only have a single image entered in that category, just enter 001.

Credit

The photographer's name. Please be consistent from photo to photo.

For example, please use Joe E Smith for each image, not Joe Smith on one, Joseph Smith on another, J.E. Smith on a third, and so on.

Note: we recommend that this field be entered for all your images at once using the IPTC Stationery Pad feature in Photo Mechanic. See Batch-Assigning Entry Information for more details.

Source

Your employer or client.

Caption

This caption will be shown together with your photograph during public viewing of the archive and winners. Please check grammar and spelling before submitting.

As they taught all of us in basic caption writing, use the five W's: who, what, where, when and why.

Please do not include your name or publication credit in your caption.

  • Caption/Abstract
  • Description
Special instructions

Your unique contest ID code.

Note: we recommend that this field be entered for all your images using the IPTC Stationery Pad feature in Photo Mechanic. See Batch-Assigning Entry Information for more details. The stationery file you receive with your registration confirmation will have your ID code automatically filled in.

  • Instructions
Transmission Reference

Your email address. This is the field we are using to send your confirmation, so make sure the address is correct.

Note: we recommend that this field be entered for all your images using the IPTC Stationery feature in Photo Mechanic. See Batch-Assigning Entry Information for more details. The stationery file you receive with your registration confirmation will have the email address you supplied when you registered automatically filled in.

  • Original Transmission Reference
  • Transmission ID
  • Transmission
Copyright

Identify who holds the copyright for the image. Check your contract if you aren't sure who to list here.

For staffers, this will generally be your employer; for freelancers, it might be you, or it might be the client for whom the image was made.

  • Copyright Notice
Time and Date

When was the picture created?

The image information is saved to the industry-standard IPTC headers in the image file, so if you use another image cataloging program, you may find that much of the image information is pre-entered when you first launch the plugin. Similarly, you may see the information you enter for your Best of Photojournalism entries appear in cataloging or image editing programs other than Photo Mechanic.

Batch-Assigning Entry Information

Batch-assigning fields that will be the same for a group of your files (such as your contest ID, email address, or the entry category) helps ensure that your file information is consistent, and thus that your Picture Story and Portfolio entries will stay together.

To assign the same field value to a group of files in Photo Mechanic,

  1. Choose IPTC Stationery Pad from the Image menu. A window will be opened showing all the File Information fields, most of them blank.
  2. Type the text you want to use in the appropriate field, and check the box next to it.
  3. Make sure any fields you are not intending to assign do not have the boxes next to them checked.
  4. Click the Close Stationery button.
  5. In the Contact Sheet window in Photo Mechanic, select all the images you want to update the information for.
  6. Choose Apply IPTC Stationery Pad to Photos from the Image menu. A progress dialog will appear, and when it closes, all of your files will have been updated.

For example, to change the Category for the all the images in your INN folder, you would open the Stationery Pad, choose INN from the Category drop-down, and check the box next to the Category field. Then select all the images in the folder and apply the Stationery Pad, and the Category field will be updated for all the files.

Object Field

Entering the correct information into the object field is critical to your entry. This information is used in your email confirmation, for locating your image entries in the database, and for sequencing your images into picture, story and portfolio categories. The object field information must include:

Examples: 00008250-INS-Karbala-001, 00008250-UPY--023, 00008250-LPP--02

IMPORTANT!

Naming Your Files

When your images are imported into the contest database, the file names (and folder structure) serve as an important check on whether the information we are importing is correct. ...And in cases where information was left out of the IPTC/File Info headers entirely, the file names may offer a way to reconstruct it.

Filenames that are based on your contest ID, the image category, or both (such as the Object field) also allow you to tell at a glance that your images are in the right place, and coded correctly, before you submit them to the contest.

You can rename all your images automatically in Photo Mechanic by selecting them and choosing Rename Photos from the File menu. To use the information from the Object field as the file name, type {object} in the text field where it says "Please enter the photo renaming string", and click Rename.

After you name your files, please check to make sure the contest ID, category, and story name (as reflected in the Object field and file name) are correct before you submit your entries.

Folders

To avoid filename conflicts on the entry server, and to make it simpler to find your images if you should have a question, we ask that you organize all your images into folders by category, using the 3-letter Category code as the name of the folder.

The category folders, in turn, should be collected into a folder or archive named with your Contest ID Code.

In addition to making filing simpler, organizing your images into folders also allows us to confirm that the IPTC/File Info data was read successfully when we import your images.

Single Entry Categories

Use a separate folder for each category. Put all single entries from the same category in the same folder. Name the folder using the category codes listed earlier.

(Example: If you have five entries in the Domestic News category, all five image files would go in a folder named ‘DON’)

  • DON
    • 00008250-DON--001
    • 00008250-DON--002
    • ...
    • 00008250-DON--005

Picture Story and Portfolio Categories

Use a separate folder for each picture story or portfolio. Put all individual pictures from a picture story in one folder. Name the folder using the category codes listed earlier, followed by an underscore, followed by the slug.

(Example: all the pictures in a Best Published (smaller market) Picture Story slugged ‘rally’ would go in a folder named ‘UPS_rally’)

  • UPS_rally
    • 00008250-UPS-rally-001
    • 00008250-UPS-rally-002
    • ...
    • 00008250-UPS-rally-011
    • 00008250-UPS-rally-012

Image Preparation Checklist

A Final List of Don'ts