BOP 2006: Still Photography Rules: Preparing your Images
Best of Photojournalism 2006 is open to professional photographers, editors and online photojournalists, and there is no entry fee. All entries must have been taken or initially published between January 1st and December 31st, 2005. Photographers do not need to be members of NPPA to enter.
Changes in the 2006 Contest
Photojournalism is changing. Portable digital cameras are giving more people the basic tools to cover news events that affect their lives. Large media companies are integrating and showcasing photographic reporting in new ways. As a result, visual journalism is becoming more "visible" in popular culture.
The Best of Photojournalism seeks to recognize the best work coming from this changing landscape, and set new standards for the future. We celebrate the craft of photographic reporting, not just the artistic and technical qualities of photography. Newsrooms need journalists—visual reporters who are rooted in accuracy, and can harness their aesthetic skills in their work.
Category changes
- New topical Natural Disaster categories have been created, recognizing the great coverage of hurricanes, earthquakes, and other disasters in 2005.
- The Domestic News categories (Domestic News and Domestic News Picture Story) now cover all of North America.
- The Feature categories are now called Enterprise.
- Portrait and Personality is being split into Local and News categories. The addition of the Local Portrait category allows the contest to recognize great coverage of people who aren't public figures.
- The Computer Image Illustration and Conceptual (Photographic) Illustration categories have been merged. The new category is called Conceptual Photographic Illustration.
- Single-image and Picture Story categories have been created for Celebrity News coverage that goes beyond the "surface" level of most runway and red-carpet pictures.
- A new category has been created to recognize the publication of great picture stories. Every picture in a Best Published Picture Story entry has to have appeared in print as part of a single story. Longer stories may be cut to meet the 12-image limit, but no pictures may be added.
- Explicit Magazine and Newspaper categories have been dropped. Entries from large newspapers are now going head-to-head with magazines.
- Several categories (Photojournalist of the Year, Enterprise Picture Story, and Best Published Picture Story) are being split based on size, to give photojournalists from smaller publications the recognition they deserve.
Other Entry Changes
- Image info entry is now being done using Photo Mechanic instead of the Merlin-Caption plug-in for Photoshop. As a consequence:
- Photos can now be re-captioned without re-compressing the image file.
- Photos can be assigned global information (such as categories, contest ID codes, and story titles) as a batch, rather than one-by-one.
- Photos can be named automatically based on their Object field data.
- Staff photographers are required to get approval before they enter unpublished images owned by their employer. Freelancers can still enter unpublished work without asking permission.
Post-Entry Changes
- Entrants will be able to log in to the contest server and correct errors in their captions and categories themselves. This process is monitored to ensure that it is secure and accurate, and all changes will be confirmed by email.
Number of Entries Allowed Per Photographer
- Each photographer will be limited to 20 entries.
- Photographers may enter in any combination of single, story, or portfolio categories, subject to the 20-entry limit.
- A picture story or portfolio is considered one entry, so a photographer can submit considerably more than 20 images if they enter pictures in these categories.
- A single photograph may not be entered on its own in more than one category. However, a photo may be entered in both a single category and one picture story.
- Similarly, a picture story may be entered both in the appropriate picture story category and as a part of a single portfolio.
- A picture entered in the wrong category will not be reclassified and the judges reserve the right to disqualify it.
Digital Image Specifications
- Adjust your monitor so that the sample image at http://bop.nppa.org/calibration+image.jpg renders accurate color, contrast and density. Then, adjust your images so they look correct on your newly-calibrated monitor.
We will be using this image to adjust our digital projection system, and by calibrating to the same target, you can be confident that your images will display correctly. - Save each image as an RGB file. Do not use CMYK.
- The final image resolution should be 250 DPI, with maximum dimensions of 2750 pixels along its longest side.
- Save each image as a JPEG file, with a Photoshop JPEG quality level of at least ‘6’ or ‘good’ (in other programs this same level is called 75%).
Scanning Specifications For Negative or Transparency Film
Best of Photojournalism 2006's Still Photography division only accepts digital files. If the images you wish to submit only exist on film, you will need to scan them and submit the digital files. Please format each file according to the Digital Image Specifications.
Important Tip
We strongly recommend that you do all your scanning and adjustments first, then save the images on your hard drive using temporary file names. Entering the caption and entry info for your images will be much easier to do as a group, one right after another. Though it may look intimidating at first glance, entering all the info will only take a couple of minutes for each picture.
Picture Category Codes and Descriptions
Images in the Best of Photojournalism are divided into categories based on their subject matter, and on whether they are part of an extended story or not. The set of images in each category are then judged against each other.
As noted under Number of Entries Allowed Per Photographer, a given photograph may not be entered on its own in more than one category. However, a photo may be entered in both a single-image category and a picture story (up to a limit of four single images per story). Pictures entered in the wrong category will not be reclassified, and the judges reserve the right to disqualify them. Because of this, take care when choosing the category for your images.
| Code | Category Name | Description | Maximum Image Count per entry |
|---|---|---|---|
| NAA | Cliff Edom's ‘New America Award’ | In urban communities and rural towns, the spirit of diversity is celebrated and witnessed in everyday life. Our goal is to recognize award winning photographic storytelling about communities, groups, and issues in America that are often under-covered in the press. Acknowledging the genius and effectiveness of Cliff Edom's vision, approach, and passion for teaching, we ask you to contribute your entries. Cliff Edom (1907-1991) began his experimentation in photographic education in 1943, his purpose was to provide access to the community life of a small town (and local communities) for photographers so that they could hone and develop photojournalistic skills. |
A portfolio of up to 24 images |
| OPY | Photojournalist of the Year (large markets) | A portfolio of work created for a publication with over 115,000 circulation. All Wire services, Agencies and Magazines are part of this group. See the Portfolio Rules for further details. |
A portfolio of up to 40 images |
| UPY | Photojournalist of the Year (smaller markets) | A portfolio of work created for a newspaper with less than 115,000 circulation. Portfolios of work created for Wire services, Agencies and Magazines should be entered in the large-market Photojournalist of the Year category, OPY. See the Portfolio Rules for further details. |
A portfolio of up to 40 images |
| SPY | Sports Photojournalist of the Year | A portfolio of individual sports images, plus an optional Sports Picture Story. See the Portfolio Rules for further details. |
A portfolio of up to 24 images |
| DSR | Natural Disaster Single 2005 | A single image that captures and communicates the devastation wrought by a natural disaster. Natural Disaster Single recognizes coverage of the human and physical impact of this year's hurricanes, mudslides, tornadoes, earthquakes, and so on. |
Single picture |
| DPS | Natural Disaster Picture Story 2005 | A collection for authentic storytelling photographs that captures and communicates the devastation wrought by a natural disaster. Natural Disaster Picture Story recognizes coverage of the human and physical impact of this year's hurricanes, mudslides, tornadoes, earthquakes, and so on. |
A picture story with up to 12 images |
| INN | International News | A picture of a spontaneous news event outside the U.S., Canada, or Mexico that was created without advance cooperation, planning, or warning. |
Single picture |
| INS | International News Picture Story | A series of pictures of events outside the U.S., Canada, or Mexico that depicts a story line or single theme that is spontaneous in its origin. This story may be spot news or issue reporting. |
A picture story with up to 12 images |
| GNN | General News | Recognizing that much of the daily news coverage is planned in advance, we seek to reward outstanding achievement based on creativity and timing at organized events such as general meetings, promotional events and staged coverage opportunities. |
Single picture |
| DON | Domestic News | A breaking news photograph from the U.S., Canada, or Mexico. An event where the photographer does not have the time to plan, but must react on instinct, adrenaline, and news judgment. |
Single picture |
| DNS | Domestic News Picture Story | A series of news pictures recording events in the U.S., Canada or Mexico that depicts a reporting line or single theme where the reporting instincts and skill of the photographer are manifest. This story may be spot news or issue reporting. |
A picture story with up to 12 images |
| ENT | Enterprise | A picture of a ‘found situation’ that features strong human interest element, or a fresh view of an everyday scene. A picture that uses humor or focuses on the lighter side of life is well suited for this category. |
Single picture |
| OES | Enterprise Picture Story (large markets) | A non-news picture story or essay on a single theme. Stories that use humor or focus on the lighter side of life are well suited to this category. A series of pictures created for a publication with over 115,000 circulation. All stories created for Wire services, Agencies and Magazines should be entered in this group. |
A picture story with up to 12 images |
| UES | Enterprise Picture Story (smaller markets) | A non-news picture story or essay on a single theme. Stories that use humor or focus on the lighter side of life are well suited to this category. A series of pictures created for a newspaper with less than 115,000 circulation. Pictures created for Wire services, Agencies and Magazines should be entered in the large market Enterprise Picture Story category, OES. |
A picture story with up to 12 images |
| LPP | Local Portrait and Personality | A single picture that captures a unique aspect of the local figure’s character and personality. This should not be a public figure, but rather a local heroine, hero, or community member. |
Single picture |
| NPP | News Portrait and Personality | A picture that captures a unique aspect of the character and personality of a public figure or elected official who is regularly featured in media coverage. |
Single picture |
| NAH | Natural Habitat | A picture that makes the most of the aesthetic and graphic qualities of nature, with an emphasis on dramatic composition. |
Single picture |
| AOE | The Art of Entertainment | A picture that evokes the phrase “that’s entertainment” — and captures a dramatic quality, theatrical grace, aesthetic expression or poetry of motion that is pleasing and soothing to the viewer. |
Single picture |
| CPI | Conceptual Photographic Illustration | In this powerful age of computer imagery and digital mastery, the time has come to reward the creative and dramatic works that grace the pages of publications that blend the best of the traditional darkroom, human imagination and computer skills. A photograph might be used as source material for the conceptual illustration, or the concept might be totally artificially produced. |
Single picture |
| EPS | Environmental Picture Story | A picture story that captures or conveys an appreciation of the natural world and its components; landscapes, flora, fauna, weather, and more. That appreciation does not mean that the story can only cover pristine environments: stories can also depict the destruction, neglect, or recovery of a natural resource. |
A picture story with up to 12 images |
| SAI | Individual Sports Action | A peak action picture that isolates the competitive spirit and tenacity of a participant engaged in a competition designed as an individual sporting endeavor. Think one-on-one sports such as boxing, tennis, skiing, and so on. |
Single picture |
| SAT | Team Sports Action | A peak action picture that captures the competitive spirit and collective efforts of an athletic team. Team Sports Action recognizes pictures of sports where groups of people compete against each other, such as soccer, American football, basketball, baseball, and so on. |
Single picture |
| SPE | Sports Enterprise | A sports related enterprise picture that depicts the jubilation of victory or the agony of defeat. The event covered should be separate from the game action or outside of the field of play. |
Single picture |
| SPS | Sports Picture Story | Any sports oriented subject portrayed in a multiple-picture photographic story structure. All of the pictures should be related to convey a singular story line or reporting theme related to a sports endeavor. |
A picture story with up to 12 images |
| CNP | Celebrity News Single | A picture conveys the popular culture fixations of the day and focuses on a person of celebrity status: glamour, fame, music, sports, television or politics. |
Single picture |
| CPS | Celebrity Picture Story | A picture story that goes deeper than surface coverage on the runway or red-carpet pictures. The story must illuminate a facet of celebrity that is compelling, insightful and informative. |
A picture story with up to 12 images |
| OPS | Best Published Picture Story (large markets) | This category is designed to celebrate a meritorious body of work that has been documented, vetted and published for an audience in the classic journalistic tradition. The story should be compelling and relevant to the viewing and reading audience. A story published by a publication with over 115,000 circulation. All stories published by Wire services, Agencies and Magazines should be entered in this group. |
A picture story with up to 12 images |
| UPS | Best Published Picture Story (smaller markets) | This category is designed to celebrate a meritorious body of work that has been documented, vetted and published for an audience in the classic journalistic tradition. The story should be compelling and relevant to the viewing and reading audience. A story published by a newspaper with less than 115,000 circulation. Pictures created for Wire services, Agencies and Magazines should be entered in the large market Best Published Picture Story category, OPS. |
A picture story with up to 12 images |
Portfolio Rules
(for Cliff Edom's ‘New America Award’, Photojournalist of the Year, and Sports Photojournalist of the Year)All Portfolios will be judged on their impact as a unit, demonstrating diverse ability, journalistic value and photographic excellence.
- A Photojournalist of the Year portfolio:
- may contain no more than 40 images in total, spread among picture stories and single images
- must include at least two picture stories
- A ‘New America Award’ or Sports Photojournalist of the Year portfolio may contain no more than 24 images.
- Portfolios will not be broken down into individual categories for single picture judging. To enter a photo or picture story from your portfolio entry into a single picture or picture story category, you must provide a separate entry.
- To sequence portfolios, put a number identifying the image's position in the portfolio in the Supp Cat 2 field. The sequence number is also included as part of the Object field: please review the Object field instructions for details.
Picture Story Rules
- Picture stories may contain no more than 12 images.
- Images in picture stories will not be judged individually. To enter a photo from your picture story on its own, you must provide a separate entry. Note: no more than four single images may be taken out of a picture story and entered in single categories.
- To sequence the images in your picture story, put a number identifying the image's position in the story in the Supp Cat 2 field. The sequence number is also included as part of the Object field: please review the Object field instructions for details.
Downloading the Photo Mechanic Trial
A special trial version of Photo Mechanic for the Best of Photojournalism entrants is available for both Mac OS X, Mac OS 9, and Windows 2000/XP. The trial version comes with a special key that will allow it to run for the duration of the contest entry period. To prevent this key from being abused, the registration key will be emailed to each entrant in the contest.
Your registration email will also include contest-specific configuration files to assist you in streamlining your image preparation process. Instructions for using those files will be included in the text of that email.
If you have registered, but have lost your key, log in and view your instructions.
Want to keep using Photo Mechanic after the contest entry period ends? Buy a copy at the NPPA discount!
Entering Caption and Picture Info
Important Note: The contest database receives a very large number of entries. Please read and follow the captioning and labeling instructions below very carefully to ensure that your images are entered correctly and eligible for judging. If you have any questions, please contact contests@nppa.org before submitting your images.
- All captions and other pertinent information will be entered using Photo Mechanic. Because Photo Mechanic doesn't rewrite the image data when saving, you can change your captions with no loss of quality.
- Photo Mechanic 4 can be used on both Mac OS X, Mac OS 9, and Windows 2000/XP. If you do not have access to a system that meets these requirements, or if you have problems using Photo Mechanic, please contact NPPA.
Photo Mechanic provides a simple way to enter all the name, category and caption information required for Best of Photojournalism. The information is stored in the IPTC headers, which are viewable through the File Info dialog in Photoshop, but using Photo Mechanic offers several major advantages over manual entry:
- It prevents typos when choosing the entry category. Since the category is used to select the images for judging, typos in the Category field could result in your images being disqualified.
- By batch-assigning fields that will be the same for a group of your files (such as your contest ID, email address, or the entry category), it helps ensure that your file information is consistent, and thus that your Picture Story and Portfolio entries will stay together.
- It allows you to automate your file naming so that it is consistent with your Object field information.
To enter information for the Best of Photojournalism caption fields, open your files in Photo Mechanic, mouse over the one you want to edit, and click the IPTC File Info button at the lower left corner of the image thumbnail pane. When the caption dialog appears, fill in the fields as outlined below to begin preparing your entry. Any fields that are not listed below can be left blank, or not, as desired.
| Field Name in Photo Mechanic | What information to enter | Alternate names (if any) |
|---|---|---|
| City, State, Country | The location where the picture was created. |
|
| Object | Please complete this field according to the Object field instructions. The Object field is used to uniquely identify the picture for indexing purposes. |
|
| Category | Select the 3-letter code for the category you wish to enter. After you load the preferences file that is sent with your registration confirmation email, Photo Mechanic will display this as a pull-down list of the 28 categories in the contest. Note: we recommend that this field be entered for all the images in a category at once using the IPTC Stationery Pad feature in Photo Mechanic. See Batch-Assigning Entry Information for more details. |
|
| Supp Cat 1 | For images in Picture Story categories, include the name of the story; other categories should leave this field blank. Note: we recommend that this field be entered for all the images in a Picture Story at once using the IPTC Stationery Pad feature in Photo Mechanic. See Batch-Assigning Entry Information for more details. | |
| Supp Cat 2 | A sequence number identifying where the image falls within the picture story or portfolio. For single-image categories, each image is a separate entry, so the number is used to distinguish between the entries. If you only have a single image entered in that category, just enter 001. | |
| Credit | The photographer's name. Please be consistent from photo to photo. For example, please use Joe E Smith for each image, not Joe Smith on one, Joseph Smith on another, J.E. Smith on a third, and so on. Note: we recommend that this field be entered for all your images at once using the IPTC Stationery Pad feature in Photo Mechanic. See Batch-Assigning Entry Information for more details. |
|
| Source | Your employer or client. | |
| Caption | This caption will be shown together with your photograph during public viewing of the archive and winners. Please check grammar and spelling before submitting. As they taught all of us in basic caption writing, use the five W's: who, what, where, when and why. Please do not include your name or publication credit in your caption. |
|
| Special instructions | Your unique contest ID code. Note: we recommend that this field be entered for all your images using the IPTC Stationery Pad feature in Photo Mechanic. See Batch-Assigning Entry Information for more details. The stationery file you receive with your registration confirmation will have your ID code automatically filled in. |
|
| Transmission Reference | Your email address. This is the field we are using to send your confirmation, so make sure the address is correct. Note: we recommend that this field be entered for all your images using the IPTC Stationery feature in Photo Mechanic. See Batch-Assigning Entry Information for more details. The stationery file you receive with your registration confirmation will have the email address you supplied when you registered automatically filled in. |
|
| Copyright | Identify who holds the copyright for the image. Check your contract if you aren't sure who to list here. For staffers, this will generally be your employer; for freelancers, it might be you, or it might be the client for whom the image was made. |
|
| Time and Date | When was the picture created? |
The image information is saved to the industry-standard IPTC headers in the image file, so if you use another image cataloging program, you may find that much of the image information is pre-entered when you first launch the plugin. Similarly, you may see the information you enter for your Best of Photojournalism entries appear in cataloging or image editing programs other than Photo Mechanic.
Batch-Assigning Entry Information
Batch-assigning fields that will be the same for a group of your files (such as your contest ID, email address, or the entry category) helps ensure that your file information is consistent, and thus that your Picture Story and Portfolio entries will stay together.
To assign the same field value to a group of files in Photo Mechanic,
- Choose IPTC Stationery Pad from the Image menu. A window will be opened showing all the File Information fields, most of them blank.
- Type the text you want to use in the appropriate field, and check the box next to it.
- Make sure any fields you are not intending to assign do not have the boxes next to them checked.
- Click the Close Stationery button.
- In the Contact Sheet window in Photo Mechanic, select all the images you want to update the information for.
- Choose Apply IPTC Stationery Pad to Photos from the Image menu. A progress dialog will appear, and when it closes, all of your files will have been updated.
For example, to change the Category for the all the images in your INN folder, you would open the Stationery Pad, choose INN from the Category drop-down, and check the box next to the Category field. Then select all the images in the folder and apply the Stationery Pad, and the Category field will be updated for all the files.
Object Field
Entering the correct information into the object field is critical to your entry. This information is used in your email confirmation, for locating your image entries in the database, and for sequencing your images into picture, story and portfolio categories. The object field information must include:
- Your unique Contest Identification Code, which you can obtain by filling out the online Contest Registration Form ( beginning December 16th, 2005). Your unique Contest Identification Code should be an 8-digit number with 4 leading zeroes.
- The Category in which the image is entered
- The name of your story, if any
- A sequence number identifying where the image falls within the picture story or portfolio. For single-image categories, each image is a separate entry, so the number is used to distinguish between the entries.
Examples: 00008250-INS-Karbala-001, 00008250-UPY--023, 00008250-LPP--02
IMPORTANT!
- You must use hyphens between each portion: CONTEST ID-CATEGORY-STORY NAME-NUMBER
- Do not use the same subject for different picture stories within the same category
- You must use three digits in the sequence numbering, beginning with zero (0): 001, 002, 003, 004, 005, 006, 007, 008, 009, 010, 011, 012
- Any typos in the object field may cause the images to be incorrectly sequenced or dropped from the picture story.
- An image entered in a single-image category and also entered as part of a Picture Story or Portfolio must be processed and saved separately for each case. Make certain to use the correct Category code, Object field, and filename for each image.
Naming Your Files
When your images are imported into the contest database, the file names (and folder structure) serve as an important check on whether the information we are importing is correct. ...And in cases where information was left out of the IPTC/File Info headers entirely, the file names may offer a way to reconstruct it.
Filenames that are based on your contest ID, the image category, or both (such as the Object field) also allow you to tell at a glance that your images are in the right place, and coded correctly, before you submit them to the contest.
You can rename all your images automatically in Photo Mechanic by selecting them and choosing Rename Photos from the File menu. To use the information from the Object field as the file name, type {object} in the text field where it says "Please enter the photo renaming string", and click Rename.
After you name your files, please check to make sure the contest ID, category, and story name (as reflected in the Object field and file name) are correct before you submit your entries.
Folders
To avoid filename conflicts on the entry server, and to make it simpler to find your images if you should have a question, we ask that you organize all your images into folders by category, using the 3-letter Category code as the name of the folder.
The category folders, in turn, should be collected into a folder or archive named with your Contest ID Code.
In addition to making filing simpler, organizing your images into folders also allows us to confirm that the IPTC/File Info data was read successfully when we import your images.
Single Entry Categories
Use a separate folder for each category. Put all single entries from the same category in the same folder. Name the folder using the category codes listed earlier.
(Example: If you have five entries in the Domestic News category, all five image files would go in a folder named ‘DON’)
- DON
- 00008250-DON--001
- 00008250-DON--002
- ...
- 00008250-DON--005
Picture Story and Portfolio Categories
Use a separate folder for each picture story or portfolio. Put all individual pictures from a picture story in one folder. Name the folder using the category codes listed earlier, followed by an underscore, followed by the slug.
(Example: all the pictures in a Best Published (smaller market) Picture Story slugged ‘rally’ would go in a folder named ‘UPS_rally’)
- UPS_rally
- 00008250-UPS-rally-001
- 00008250-UPS-rally-002
- ...
- 00008250-UPS-rally-011
- 00008250-UPS-rally-012
Image Preparation Checklist
- Picture Stories and Portfolios will not be taken apart for individual image category judging. Have you separately submitted singles out of your portfolio or picture stories for the single categories?
- Did you create a folder for each Single-image category, and each Picture Story or Portfolio?
- Have you used your 8-digit Contest ID code as part of each image's Object field and file name?
- Have you checked your folders and filenames to make sure your entries are all sorted and tagged correctly?
A Final List of Don'ts
DO NOT put your name or only a descriptive line in the Object Field
Example; beautiful sunset, Jane Doe
Instead, use your Contest ID Code appropriately, as outlined in the instructions.DO NOT forget to select the correct category for each and every image.
DO NOT label your folders with your name or a descriptive title. Instead, label folders with the correct category abbreviations.
Example: UPY, ARE, SAT, UES_excelsior
Label the top folder (the one containing all other folders) with your ID code
Example: 0008250
DO NOT send uncompressed/unarchived folders by FTP. Instead, collect the folder contents in a ZIP, StuffIt, or Tar archive, and upload the compressed archive file.
Copyright 2002-2006 NPPA.org
For more information, email the Contest Coordinator.